My current body of work is a continuation of my investigation into plaster as a painting material. My process is a significant part of the work as I create three-dimensional compositions using typically two-dimensional materials to be replicated in a two dimensional format using traditionally three-dimensional materials. Something is lost and something is gained as I make a cast of my compositions. I try not to attach myself to the end result as I relinquish control by using plaster to create impressions of paintings. My works stems from an ongoing inquiry into the futile preservation of a memory.